COWBOY JAMBOREE MAGAZINE & PRESS
  • CJ MAGAZINE
  • Style & Submit
    • Masthead
  • 11.2 A Manual For...
    • Mug Shot
    • Clark Buys a Motorcycle
    • Wild Caught
    • Snow to Rain
    • Disciple
    • Fresh Fades
    • How to Fish
    • Hogzayden
    • Adjunct
    • Four Seconds of Silence
  • Books
    • Kansas City Breakdown
    • Coyote Girl
    • In the Desert
    • BURN
    • Quiet Hours
    • I FEEL JUST LIKE A DOGWOOD TREE
    • This World Will Never Run Out of Strangers
    • Songs of the Cyberspace Cattle Drive
    • WEST OF DESTRY
    • Small Town Mastodons
    • Traveling Alone
    • All and Then None of You
    • Poachers and Pills
    • Poor Birds
    • The Lowest Basin
    • Bop City Swing
    • Nothing Good Ever Happens in a Flyover State
    • THE TICKS WILL EAT YOU WHOLE
    • Rolling on the Bottom
    • Oblivion Angels
    • The New Salvation
    • TEXAS WIND
    • Silences, Ohio
    • WHERE DARK THINGS GROW
    • San Diego Stories
    • HONKY
    • The Wild Familiar
    • KUDZU by Clem Flowers
    • IN LINE AT WALMART WITH ALL THE OTHER DAMNED
    • I CAN OUTDANCE JESUS
    • MOTEL
  • Sheldon Lee Compton
    • Ghosts by Sheldon Lee Compton
    • I AM WAR MR TOLSTOY
    • Her Little Place of Dying
    • The Caretaker
    • On SLC's Brown Bottle
    • Somebody Take Care of Little Walter
    • Oblivion Angels
    • The Orchard Is Full of Sound (excerpt)
    • Dog With a Rabbit's Head
    • By-blow
    • Until the Going Down of the River
    • The Judas Steer
    • Tooling Up
    • DYSPHORIA (excerpt)
  • Interviews, Reviews, & Presses
    • CJ Music Review South of Mars
    • CJ Music Review Matt Moran & the Palominos The Ba'ar
    • CJ Music Review WPH STILL FEELIN' THE PAYNE
    • CJ Music Review R Porter Roll with the Punches
    • Shelby Hinte's Howling Women
    • Of Fathers & Gods
    • Awakenings Review
    • Jaded by Wilson Koewing
    • Jesse Hilson's The Tattletales
    • Here in the Dark by Meagan Lucas
    • Sophomore Slump by Leigh Chadwick
    • Shadows Slow Dancing in Derelict Room
    • Anthony Koronda's Broken Bottles
    • Scott Blackburn's It Dies With You
    • Donald Ryan's Don Bronco's (Working Title) Shell
    • Jay Gertzman's The Promise of Country Noir
    • Hard Mountain Clay Review
    • Blake Johnson's Prodigal: An American Parable
  • Jobbers
    • Dead Wrestlers
    • The Night Bruiser Came to Town
    • Big Rig by Shaun Jex
    • A Night Out with Big Ricky by Katy Goforth
    • War Eagle by David Barker
    • True Dreams of Wichita by Shaun Jex
    • Doink the Clown Works Birthday Parties by Michael Chin
    • The Ballad of Ethel Bridges by David P. Barker
    • House Show in Badger County High School Gym by Simon Nagel
    • 288 Miles by David P. Barker
    • Corn Dogs by Shaun Jex
    • Getting Ready + Cowboy by Michael Chin
    • American Dream by Robert Libbey
    • Training Partner by A.A. Rubin
    • Finding the von Erichs by Shaun Jex
    • The Making of Big Sandy by Michael Carter
    • Pot Roast from Vance Godbey's by Mark A. Nobles
    • Abdullah the Butcher in Gotham by Mark A. Nobles
    • PWI by Josh Olsen
  • CJ Issues Archive
    • Oh Death!
    • Flood Waters
    • with Alacrity!
    • the Family Strain
    • All We Need of Hell-Harry Crews Tribute
    • My Dog Died-a Larry Brown inspired issue
    • Rural Enterprises
    • Grotesque to Art-in the vein of Donald Ray Pollock
    • Henry Chinaski is a Friend of Mine-the Charles Bukowski issue
    • a Mess of Catfish
    • Prine Primed-incited by John Prine
    • Asquint
    • Buried Child-inspired by Sam Shepard
    • New Fools Are Here to Take Your Place-incited by Breece D'J Pancake
    • THALIA ET ALIA-incited by Larry McMurtry
    • Country & Folk
    • Nothing's Gonna Change the Way You Feel About Me Now
    • ISSUE 9.2: the All Covers Album >
      • Sitting in the Laundromat with A Manual for Cleaning Women
      • Kentucky Folklore
      • Caught in a Trap
      • Are You Sure Merle Done It This Way?
      • Tracking
      • Playing Hooky
      • Evangelina & Hunting Bremmer's Mesa
      • Catty-Corner House
      • Blood on the Creek Bank
      • Skeeter
      • Vivian Davis, American
      • Thyroid
      • Wonderin'
      • Playing Cowboy
      • Old Dog
      • Archipelago
      • Keep YR Eye on the Moon
      • 3 Poems by Justin Carter
      • It Ain't Me
      • Heaven's Gonna Have a Honky-Tonk
    • ISSUE 10.1: A CASE OF KINK >
      • Deadhead
      • Fickster the Fixer
      • Get the Money
      • Shady Acres
      • The Ugly Death of Ferrari McGee
      • Burly Pete Calls It A Day
      • Blame It On The Blue Line
      • The Detective
      • The Tattletales (excerpt)
    • ISSUE 10.2: Tough Women, Gritty Tales >
      • "Stupid" by Rebecca Tiger
      • "Rattlesnakes" by Sabrina Hicks
      • "Destination Unknown" by Sarah Holloway
      • "Juniper" by Sarah Holloway
      • "The Stand" by Kathryn Silver-Hajo
      • "On Friday, Good Catholics Eat Fish" by Terena Elizabeth Bell
      • "Bodies in Bags" by Jamie Gallagher
      • "Sun Down" by Amy Marques
      • "Fourteen" by Megan Hanlon
      • "A Stroll" by Natalie Nee
      • "White Biped Form, 1954" by Mary Thorson
      • "Thanks for Stopping" by Tom Andes
      • "Dog Days" by Angela James
      • "26" by Pam Avoledo
      • "To The Men I've Missed" by Katy Goforth
    • Hidden behind the door that sorrow locked. >
      • Folks, It's Ags Connolly!
      • The Room
      • Dressing in Front of the Open Gas Oven for Warmth
      • 3 Prose Poems by Jeffrey Herman
      • The Cat in the Guest Bedroom
      • Last Call at Tully's Joint
      • Keepsake
      • The Sold Man
      • My Man Tomato Can
      • The Alternator
      • Blue Skies
      • Ain't No Dark Til Something Shines
      • Old Skip
      • Chicago Skyline
      • Uptown Lanes
      • Behind the Door
  • Our Father's Lit: Western Pulp

 
MUG SHOT

by Rebecca Tiger


Author's Note: 
"Mug Shot" is a manual for understanding the emotional ties that keep the center and the margins linked despite repeated stress fractures. 

Anthony’s long slender toes curve over the edge of the dark flip flops he wears with a black tuxedo, his moustache is full, and his thick shiny almost-black hair hangs on his shoulders, feathered, as was the fashion in the late 1970s. The photo captures Anthony’s movie star looks, the beauty that allowed him to cross borders, smile or talk or brood his way inside. No rules seemed to apply to him, but he did start to push too much. One night he broke a window to get into his cousin’s house, looking for some food and a warm bed. He found imitations of comfort in the jail cell he went to when his cousin wanted to show him a lesson. Many people tried to teach Anthony a lesson, but he was impervious to learning. I suppose I was too.
 
For years, I tried to get through to him. There was no reason to live the way he did, I reasoned. He said I was a lucky man, with a wife who loved me and a good son. I told him he could have that too if he wanted it. Hell, he could have his pick of beautiful women and there were more than a few in our town! I was Anthony’s only visitor when they sent him to Cleveland for rehab. When he saw me, his smile was genuine. His mouthful of pearly whites was out of place in the decrepit facility where the people shuffling by with greasy hair and dirty robes gave a whole new meaning to down and out. Anthony told me how great he was doing. That he was making friends. This worried me because I doubted that any of the guys inside were the best source of companionship. But Anthony really did, in his way, spin straw into gold and that’s something I always liked about him. He said the food was delicious, as he patted his belly. When one nurse with thick legs and white shoes that squeaked walked by, he gave her a flirtatious smile, said she looked especially fine that day. Her blush made me wonder if even here, where his true nature was on display, he had wormed his way into her heart. Maybe it was because he was here. He told me he’d be out any day, that his public defender was working on his case right now. He didn’t talk about how he would stay sober. We both knew that wasn’t in his plan. When I got up to leave, I told him I was there for him. Most of our other friends had abandoned him.
 
I liked to think I was the one person Anthony could be truthful with – I’d known him since kindergarten – but I came to realize I was fooling myself. You could say that I, too, fell under his spell. When I told Anthony my mother was dying, he was truly sad. She had liked him, always calling him a “handsome scoundrel,” even when he was too young to be either. Maybe she was able to see into the future but even so, it would have broken her heart to know he was locked up. I never told her. Anthony’s mother had headed north, leaving him and his father, when he was five years old.  “How is that boy supposed to fend for himself?” she asked though he had a dad and an aunt who cared for him, several cousins who thought the world of him until they only saw him as a disappointment.
 
One night, it must have been about six months after I visited Anthony, my wife and I were awoken by the phone ringing at 3 am. It was a sheriff asking me if I owned a blue Ford Taurus. I did, technically, though it was the car my teenage son used. “We’re fishing it out of Brandywine Creek right now.” My heart was racing.
 
“Is he okay?” I blurted out.
 
My wife started crying, as if she knew before I did that something terrible had happened. She got up and ran out of the room.
 
“He’s very drunk, but did remember your number,” the sheriff said. “We’ve got him locked up.”
 
That didn’t quite make sense to me. I know parents can be surprised by their kids, but my boy was solid and smart, due in a large part to his mother. Maybe he was sad about his grandmother? It’s true I didn’t talk to him much, perhaps caught up in my own thoughts about my impending life as a motherless child. But my wife did converse with him about it, and she told me he was doing okay. When my wife came back in our bedroom, I was putting jeans on over my pajamas, rushing to get to our boy, but she said, “Jake’s in his room. He’s okay. He’s alive.” I was confused. Tired.
 
“So, who took our car?”
 
“Take a wild guess,” my wife said as she flopped into bed, pulling the covers over her head. I could hear her stifled sobs under the blankets. A deep cry is what I needed too but I hadn’t done that in years, so I envied her as I finished getting dressed.
 
When I got to the jail, Anthony was in what passed for the drunk tank: a room with a cot, a bucket next to it, and a guard with a direct view of this guy writhing and retching. He looked up at me through bleary eyes. His face brightened when he saw me, a large smile on his otherwise haggard face. It broke my heart, right there and then but I had to leave him, just turn around and walk away. I had kept him in my life, hoping to give him stability, but he violated that proximity. He needed someone to rely on but didn’t I too? I went out to my car, sat in the driver’s seat, and bawled. I wept for all that I was losing, my best friend and my mother. It’s felt like I was walking a tightrope and there was simply no way I could make it to the other end. I did eventually, bruised but intact.
 
I’m not lying when I say I mostly forgot about Anthony for about fifteen years. Life just started moving so quickly, I could barely get a handle on it. I mean, he came into my mind now and then, but I let it go. My wife had said good riddance to that friendship, and I respected that she didn’t want any mention of the man who stole her son’s car. While it didn’t seem like that big a deal to me, whenever I thought about checking in with him, I remembered how distraught she was thinking her son was dead and decided against it. Jake was the first in my family to go to college then got a job in New York City; he really did us proud, and I like to think he made his grandmother, in heaven now, proud too. I should have felt content. I was content. But I’m also someone who is always in process, never quite there.
 
When I found the photo of Anthony, in a large pile of crap my wife told me to sift through or she was going to throw it out, it was like seeing a ghost. But I knew he was alive. I’d heard this from his cousins who kept their distance but also tabs on him. They told me he was living in an SRO type place right next to the suspension bridge. That sounded about right. Yes, curiosity got the better of me, so I drove down one day and no I didn’t tell my wife. I intended to just pass by but when I did, there was a group of guys hanging out so I pulled up and asked them if they knew someone named Anthony. Of course they did! They hooted and hollered, screaming his name. “Anthony! Anthony!” I looked across the road as a handsome man, tall with gray hair and a wide smile, headed my way.
 
Our reunion is what you might expect. He didn’t mention my car and I didn’t either. He was upbeat, happy, living in this house that I later found out is where the city put indigent drunks. He had a thriving business, he told me, repairing umbrellas, certainly a dying art when a decent one costs $5 on Amazon, and a new girlfriend. He had the same aquiline nose, the devilish smile I remember, his hair was thick and full. Anthony still dodged and swerved, his eyes darting around as if someone was on his trail or a better opportunity was lurking just outside of the frame, but he did seem glad to see me.
 
“You gotta meet my girl,” he said.
 
This surprised me though it shouldn’t have. Anthony was never without a woman and why would his alcoholism or financial situation or subpar living arrangements make any difference?
 
Anthony called up to a window: “Carla, come meet my best buddy!” How could he call me that after so much time? Yet, I was the one who went looking for him.
 
A few minutes later, an ample lady exited the building and headed towards us. She was nothing like the babes he got in the past, so that had changed, but like them, she was at his beck and call, running when he said to, no doubt jumping when he commanded her to go higher.
 
“This is my woman,” he said, putting his arm around Carla’s waist. They were beaming. His smile still gleamed after all these years. Most of her teeth were missing. Just gone. It reminded me of a Halloween costume I had once, where I was a hobo and put black wax on my top front teeth to look like I didn’t have any. I smiled back at them. I was genuinely happy, so I said, “Let’s get a photo!” I stood next to them and pulled out my phone, yelling “SAY CHEESE!” Anthony roguishly mugged for the camera like a kid, his arm around Carla. I was on his other side grinning. When I looked at the photo later, I noticed that my eyes were glistening with admiration for the man in the middle, who still wore flip flops a size too small. 




Rebecca Tiger teaches sociology at Middlebury College and in jails in Vermont and lives part-time in New York City. Her stories have been nominated for the Pushcart Prize and Best of the Net and have appeared in Bending Genres, BULL, Cowboy Jamboree, Ghost Parachute, Pithead Chapel, trampset and elsewhere. She is the flash fiction editor for Blood+Honey Lit. You can find her published work at rebeccatigerwriter.com.



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  • CJ MAGAZINE
  • Style & Submit
    • Masthead
  • 11.2 A Manual For...
    • Mug Shot
    • Clark Buys a Motorcycle
    • Wild Caught
    • Snow to Rain
    • Disciple
    • Fresh Fades
    • How to Fish
    • Hogzayden
    • Adjunct
    • Four Seconds of Silence
  • Books
    • Kansas City Breakdown
    • Coyote Girl
    • In the Desert
    • BURN
    • Quiet Hours
    • I FEEL JUST LIKE A DOGWOOD TREE
    • This World Will Never Run Out of Strangers
    • Songs of the Cyberspace Cattle Drive
    • WEST OF DESTRY
    • Small Town Mastodons
    • Traveling Alone
    • All and Then None of You
    • Poachers and Pills
    • Poor Birds
    • The Lowest Basin
    • Bop City Swing
    • Nothing Good Ever Happens in a Flyover State
    • THE TICKS WILL EAT YOU WHOLE
    • Rolling on the Bottom
    • Oblivion Angels
    • The New Salvation
    • TEXAS WIND
    • Silences, Ohio
    • WHERE DARK THINGS GROW
    • San Diego Stories
    • HONKY
    • The Wild Familiar
    • KUDZU by Clem Flowers
    • IN LINE AT WALMART WITH ALL THE OTHER DAMNED
    • I CAN OUTDANCE JESUS
    • MOTEL
  • Sheldon Lee Compton
    • Ghosts by Sheldon Lee Compton
    • I AM WAR MR TOLSTOY
    • Her Little Place of Dying
    • The Caretaker
    • On SLC's Brown Bottle
    • Somebody Take Care of Little Walter
    • Oblivion Angels
    • The Orchard Is Full of Sound (excerpt)
    • Dog With a Rabbit's Head
    • By-blow
    • Until the Going Down of the River
    • The Judas Steer
    • Tooling Up
    • DYSPHORIA (excerpt)
  • Interviews, Reviews, & Presses
    • CJ Music Review South of Mars
    • CJ Music Review Matt Moran & the Palominos The Ba'ar
    • CJ Music Review WPH STILL FEELIN' THE PAYNE
    • CJ Music Review R Porter Roll with the Punches
    • Shelby Hinte's Howling Women
    • Of Fathers & Gods
    • Awakenings Review
    • Jaded by Wilson Koewing
    • Jesse Hilson's The Tattletales
    • Here in the Dark by Meagan Lucas
    • Sophomore Slump by Leigh Chadwick
    • Shadows Slow Dancing in Derelict Room
    • Anthony Koronda's Broken Bottles
    • Scott Blackburn's It Dies With You
    • Donald Ryan's Don Bronco's (Working Title) Shell
    • Jay Gertzman's The Promise of Country Noir
    • Hard Mountain Clay Review
    • Blake Johnson's Prodigal: An American Parable
  • Jobbers
    • Dead Wrestlers
    • The Night Bruiser Came to Town
    • Big Rig by Shaun Jex
    • A Night Out with Big Ricky by Katy Goforth
    • War Eagle by David Barker
    • True Dreams of Wichita by Shaun Jex
    • Doink the Clown Works Birthday Parties by Michael Chin
    • The Ballad of Ethel Bridges by David P. Barker
    • House Show in Badger County High School Gym by Simon Nagel
    • 288 Miles by David P. Barker
    • Corn Dogs by Shaun Jex
    • Getting Ready + Cowboy by Michael Chin
    • American Dream by Robert Libbey
    • Training Partner by A.A. Rubin
    • Finding the von Erichs by Shaun Jex
    • The Making of Big Sandy by Michael Carter
    • Pot Roast from Vance Godbey's by Mark A. Nobles
    • Abdullah the Butcher in Gotham by Mark A. Nobles
    • PWI by Josh Olsen
  • CJ Issues Archive
    • Oh Death!
    • Flood Waters
    • with Alacrity!
    • the Family Strain
    • All We Need of Hell-Harry Crews Tribute
    • My Dog Died-a Larry Brown inspired issue
    • Rural Enterprises
    • Grotesque to Art-in the vein of Donald Ray Pollock
    • Henry Chinaski is a Friend of Mine-the Charles Bukowski issue
    • a Mess of Catfish
    • Prine Primed-incited by John Prine
    • Asquint
    • Buried Child-inspired by Sam Shepard
    • New Fools Are Here to Take Your Place-incited by Breece D'J Pancake
    • THALIA ET ALIA-incited by Larry McMurtry
    • Country & Folk
    • Nothing's Gonna Change the Way You Feel About Me Now
    • ISSUE 9.2: the All Covers Album >
      • Sitting in the Laundromat with A Manual for Cleaning Women
      • Kentucky Folklore
      • Caught in a Trap
      • Are You Sure Merle Done It This Way?
      • Tracking
      • Playing Hooky
      • Evangelina & Hunting Bremmer's Mesa
      • Catty-Corner House
      • Blood on the Creek Bank
      • Skeeter
      • Vivian Davis, American
      • Thyroid
      • Wonderin'
      • Playing Cowboy
      • Old Dog
      • Archipelago
      • Keep YR Eye on the Moon
      • 3 Poems by Justin Carter
      • It Ain't Me
      • Heaven's Gonna Have a Honky-Tonk
    • ISSUE 10.1: A CASE OF KINK >
      • Deadhead
      • Fickster the Fixer
      • Get the Money
      • Shady Acres
      • The Ugly Death of Ferrari McGee
      • Burly Pete Calls It A Day
      • Blame It On The Blue Line
      • The Detective
      • The Tattletales (excerpt)
    • ISSUE 10.2: Tough Women, Gritty Tales >
      • "Stupid" by Rebecca Tiger
      • "Rattlesnakes" by Sabrina Hicks
      • "Destination Unknown" by Sarah Holloway
      • "Juniper" by Sarah Holloway
      • "The Stand" by Kathryn Silver-Hajo
      • "On Friday, Good Catholics Eat Fish" by Terena Elizabeth Bell
      • "Bodies in Bags" by Jamie Gallagher
      • "Sun Down" by Amy Marques
      • "Fourteen" by Megan Hanlon
      • "A Stroll" by Natalie Nee
      • "White Biped Form, 1954" by Mary Thorson
      • "Thanks for Stopping" by Tom Andes
      • "Dog Days" by Angela James
      • "26" by Pam Avoledo
      • "To The Men I've Missed" by Katy Goforth
    • Hidden behind the door that sorrow locked. >
      • Folks, It's Ags Connolly!
      • The Room
      • Dressing in Front of the Open Gas Oven for Warmth
      • 3 Prose Poems by Jeffrey Herman
      • The Cat in the Guest Bedroom
      • Last Call at Tully's Joint
      • Keepsake
      • The Sold Man
      • My Man Tomato Can
      • The Alternator
      • Blue Skies
      • Ain't No Dark Til Something Shines
      • Old Skip
      • Chicago Skyline
      • Uptown Lanes
      • Behind the Door
  • Our Father's Lit: Western Pulp